François MOREAU : Citation Profile


Are you François MOREAU?

Université Paris-13

7

H index

6

i10 index

137

Citations

RESEARCH PRODUCTION:

24

Articles

15

Papers

RESEARCH ACTIVITY:

   21 years (2001 - 2022). See details.
   Cites by year: 6
   Journals where François MOREAU has often published
   Relations with other researchers
   Recent citing documents: 21.    Total self citations: 5 (3.52 %)

MORE DETAILS IN:
ABOUT THIS REPORT:

   Permalink: http://citec.repec.org/pmo920
   Updated: 2023-08-19    RAS profile: 2023-01-08    
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Relations with other researchers


Works with:

Bourreau, Marc (13)

Aly Tovar, Ramadan (2)

Authors registered in RePEc who have co-authored more than one work in the last five years with François MOREAU.

Is cited by:

Christensen, Finn (7)

Zimmermann, Jean-Benoit (6)

Bazen, Stephen (6)

Borowiecki, Karol (5)

Haucap, Justus (4)

Wenzel, Tobias (4)

Uyarra, Elvira (4)

Peukert, Christian (4)

Dewenter, Ralf (4)

Navarrete, Trilce (4)

Flanagan, Kieron (3)

Cites to:

Waldfogel, Joel (11)

Smith, Michael (7)

Peitz, Martin (7)

Peukert, Christian (6)

Aguiar, Luis (5)

Claussen, Jörg (5)

Berlin, Noémi (5)

Brynjolfsson, Erik (4)

Liang, Che-Yuan (4)

Adermon, Adrian (4)

van Zeebroeck, Nicolas (4)

Main data


Where François MOREAU has published?


Journals with more than one article published# docs
Revue conomique4
Journal of Cultural Economics3
Journal of Media Economics2
Applied Economics Letters2

Working Papers Series with more than one paper published# docs
Post-Print / HAL11

Recent works citing François MOREAU (2022 and 2021)


YearTitle of citing document
2022Is music piracy over? Comparing music piracy attitudes and behaviors between young generations. (2022). Dieringer, Suzanne ; Borja, Karla. In: Journal of Consumer Affairs. RePEc:bla:jconsa:v:56:y:2022:i:2:p:899-924.

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2022Consumer sovereignty in the digital society. (2022). Chirat, Alexandre. In: EconomiX Working Papers. RePEc:drm:wpaper:2022-25.

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2022Streaming Stimulates the Live Concert Industry: Evidence from YouTube. (2022). Christensen, Finn. In: International Journal of Industrial Organization. RePEc:eee:indorg:v:85:y:2022:i:c:s0167718722000492.

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2021Servitization experience measurement and the effect of servitization experience on brand resonance and customer retention. (2021). Kim, Kyung Hoon ; Bae, Joonheui ; Jang, Kyeong Kook. In: Journal of Business Research. RePEc:eee:jbrese:v:130:y:2021:i:c:p:384-397.

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2022Investment-growth nexus in West Africa: An assessment of whether fragility matter. (2022). Andohol, Jerome ; Ijirshar, Victor Ushahemba. In: International Review of Economics & Finance. RePEc:eee:reveco:v:81:y:2022:i:c:p:1-17.

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2021Can radical innovation mitigate environmental and animal welfare misconduct in global value chains? The case of cell-based tuna. (2021). Heidemann, M S ; Reis, G G ; Molento, C. F. M., ; Goes, H. A. A., . In: Technological Forecasting and Social Change. RePEc:eee:tefoso:v:169:y:2021:i:c:s0040162521002778.

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2023Digital technology and business model innovation: A systematic literature review and future research agenda. (2023). Perna, Andrea ; Gatti, Marco ; Sabatini, Andrea ; Ancillai, Chiara. In: Technological Forecasting and Social Change. RePEc:eee:tefoso:v:188:y:2023:i:c:s0040162522008289.

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2022Causality between Financial Development and Foreign Direct Investment in Asian Developing Countries. (2022). Hu, Baiding ; Gan, Christopher ; Pham, Huy Tiet. In: JRFM. RePEc:gam:jjrfmx:v:15:y:2022:i:5:p:195-:d:798167.

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2022Consumption Pattern Benefits of the Cultural Activities in South Korea. (2022). Heo, Shik ; Lee, Hakjun. In: Sustainability. RePEc:gam:jsusta:v:15:y:2022:i:1:p:613-:d:1019401.

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2023The Path to Low Carbon: The Impact of Network Infrastructure Construction on Energy Conservation and Emission Reduction. (2023). Yuan, Yangli ; Luo, Shuangcheng. In: Sustainability. RePEc:gam:jsusta:v:15:y:2023:i:4:p:3683-:d:1071282.

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2021Media and the Internet Access Providers in an Era of Convergence. (2021). Benhamou, Franoise ; Benghozi, Pierre-Jean. In: Post-Print. RePEc:hal:journl:halshs-03503861.

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2022Modelling composition of growth, FDI and welfare in Africa: a SEM approach. (2022). Adeleke, Adebowale M ; Awodumi, Banji B ; Agbanike, Tobechi F ; Chukwu, Anayochukwu Basil ; Adewuyi, Adeolu O. In: Economic Change and Restructuring. RePEc:kap:ecopln:v:55:y:2022:i:4:d:10.1007_s10644-022-09390-8.

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2022New forms of finance and funding in the cultural and creative industries. Introduction to the special issue. (2022). Loots, Ellen ; Borowiecki, Karol ; Betzler, Diana ; Lee, Bo Ram ; Bille, Trine. In: Journal of Cultural Economics. RePEc:kap:jculte:v:46:y:2022:i:2:d:10.1007_s10824-022-09450-x.

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2021Commodification 2.0: How Does Spotify Provide Its Services for Free?. (2021). Yalcintas, Altug ; Kasap, Orun. In: Review of Radical Political Economics. RePEc:sae:reorpe:v:53:y:2021:i:1:p:157-172.

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2023Digital business model innovation: toward construct clarity and future research directions. (2023). Li-Ying, Jason ; Gregersen, Matthias Fabian. In: Review of Managerial Science. RePEc:spr:rvmgts:v:17:y:2023:i:1:d:10.1007_s11846-021-00508-2.

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2023The impact of licensed and unlicensed free goods: an empirical analysis of music, video, and book industries in Japan. (2023). Tanaka, Tatsuo ; Oshima, Hidetaka ; Iyanaga, Kotaro ; Sakaguchi, Hirohide ; Yamaguchi, Shinichi. In: SN Business & Economics. RePEc:spr:snbeco:v:3:y:2023:i:3:d:10.1007_s43546-023-00439-y.

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2021Streaming Stimulates the Live Concert Industry: Evidence from YouTube. (2021). Christensen, Finn . In: Working Papers. RePEc:tow:wpaper:2021-01.

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2023Displacement and Complementary in the recorded music industry: evidence from France. (2021). Nicolle, Ambre ; Zhang, Jiekai ; Verboven, Frank ; Ivaldi, Marc. In: TSE Working Papers. RePEc:tse:wpaper:125467.

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2022Online video sharing and revenues during the Pandemic. Evidence from musical stream data. (2022). Mourelatos, Haris. In: GLO Discussion Paper Series. RePEc:zbw:glodps:1050.

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2022Online video sharing and revenues during the Pandemic. Evidence from musical stream data. (2022). Mourelatos, Haris. In: GLO Discussion Paper Series. RePEc:zbw:glodps:1050pre.

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2021Competitive attention, Superstars and the Long Tail. (2021). Hefti, Andreas ; Grünseis, Julia ; Lareida, Julia. In: ECON - Working Papers. RePEc:zur:econwp:383.

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Works by François MOREAU:


YearTitleTypeCited
2009Maisons de disques et artistes : convergence ou conflit dintérêts face au numérique ? In: Annals of Economics and Statistics.
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article0
2022Does digitization lead to the homogenization of cultural content? In: Economic Inquiry.
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article1
2022Does digitization lead to the homogenization of cultural content?.(2022) In: Post-Print.
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This paper has another version. Agregated cites: 1
paper
2007The Convergence between Content and Access: Internalizing the Market Complementarity In: Review of Network Economics.
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article3
2001Forums de consommation sur Internet. Un modèle évolutionniste In: Revue économique.
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article1
2001Forums de consommation sur Internet. Un modèle évolutionniste.(2001) In: Revue Économique.
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This paper has another version. Agregated cites: 1
article
2014Limpact du piratage sur lachat et le téléchargement légal. Une comparaison de quatre filières culturelles In: Revue économique.
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article1
2019L’artiste maudit 2.0 : l’impact des TIC sur le revenu des musiciens In: Revue économique.
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article0
2018L’artiste maudit 2.0 : l’impact des TIC sur le revenu des musiciens.(2018) In: Post-Print.
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This paper has another version. Agregated cites: 0
paper
2019L’artiste maudit 2.0 : l’impact des TIC sur le revenu des musiciens.(2019) In: Post-Print.
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paper
2021Attitude face au risque et piratage de films en ligne In: Revue économique.
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article0
2016?Information asymmetry and 360-Degree Contracts in the Recorded Music Industry? In: Revue d'économie industrielle.
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article0
2007Note de Recherche. Analyse de la crise de lindustrie hôtelière en Martinique. Les apports du paradigme Structure-Comportement-Performance In: Revue d'économie régionale et urbaine.
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article0
2015Une analyse économique du phénomène de la longue traîne dans les industries culturelles In: Revue française d'économie.
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article0
2019Recent or Free? An Experimental Study of the Motivations for Pirating Movies In: CESifo Working Paper Series.
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paper0
2001Managing technological catastrophic risks In: Risk, Decision and Policy.
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article0
2022Do-It-Yourself or Do-It-Together: How digital technologies affect creating alone or with others? In: Technovation.
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article0
2016L’économie numérique de la distribution des œuvres et le financement de la création In: CEPN Working Papers.
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paper0
2016L’économie numérique de la distribution des œuvres et le financement de la création.(2016) In: Université Paris1 Panthéon-Sorbonne (Post-Print and Working Papers).
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This paper has another version. Agregated cites: 0
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2016L’économie numérique de la distribution des œuvres et le financement de la création.(2016) In: Working Papers.
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2013“Selling less of more?” The impact of digitization on record companies In: Post-Print.
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2013Selling less of more? The impact of digitization on record companies.(2013) In: Post-Print.
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This paper has another version. Agregated cites: 4
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2013“Selling less of more?” The impact of digitization on record companies.(2013) In: Journal of Cultural Economics.
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This paper has another version. Agregated cites: 4
article
2012De la visibilité à lattention : les musiciens sur Internet In: Post-Print.
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2018Les musiciens et la transformation numérique In: Post-Print.
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2018Les musiciens et la transformation numérique: Un nouvel équilibre ? In: Post-Print.
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2020Why would artists favor free streaming? In: Post-Print.
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2020Why would artists favor free streaming?.(2020) In: Journal of Cultural Economics.
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This paper has another version. Agregated cites: 5
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2019Digital consumption: A threat for local content? In: Post-Print.
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2019Digital consumption: A threat for local content?.(2019) In: Post-Print.
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2012DOMESTIC INVESTMENT AND FDI IN DEVELOPING COUNTRIES: THE MISSING LINK In: Journal of Economic Development.
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article21
2015Piracy and creation: the case of the music industry In: European Journal of Law and Economics.
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2014On the complementarity between online and offline music consumption: the case of free streaming In: Journal of Cultural Economics.
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2004The role of the state in evolutionary economics In: Cambridge Journal of Economics.
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article21
2012Internet and the ‘Long Tail versus superstar effect’ debate: evidence from the French book market In: Applied Economics Letters.
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2017E-commerce and the market structure of the recorded music industry In: Applied Economics Letters.
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2012The Impact of a Radical Innovation on Business Models: Incremental Adjustments or Big Bang? In: Industry and Innovation.
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article18
2004Cultural Diversity in the Movie Industry: A Cross-National Study In: Journal of Media Economics.
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article7
2009The Music Industry in the Digital Era: Toward New Contracts In: Journal of Media Economics.
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CitEc is a RePEc service, providing citation data for Economics since 2001. Sponsored by INOMICS. Last updated July, 3 2023. Contact: CitEc Team